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My mother always accused me of being in love with the sound of my own voice. When we went on road trips, she’d be like, ‘Stop singing. Be quiet, you’re talking just to hear yourself speak.’ It was probably true. I like to ramble on, which is probably why I’m well suited to interviews. You know, there’s no other forum where you’re literally supposed to sit down and just talk for hours about yourself. I love it.
I walked slowly out on the beach. A few yards below high-water mark I stopped and read the words again: WRITE YOUR WORRIES ON THE SAND. I let the paper blow away, reached down and picked up a fragment of shell. Kneeling there under the vault of the sky, I wrote several words, one above the other. Then I walked away, and I did not look back. I had written my troubles on the sand. The tide was coming in.
It was practically with people with strings. There was no CG involved, it was just painfully taking Collin [Farrell] and Jessica Biel and putting them upside-down, we built the set upside-down and just try to twist perspective to make it all seem like zero gravity. And it was one of the most difficult things I’ve ever shot.
I had read [Charles] Dickens’s novels were often published serially. I thought it would be fun to write a book, just sitting down and writing a chapter every day, not knowing what would happen next. So that’s how I wrote the first draft. And then of course I had to go back and make sure everything worked and change things.