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The only boring part of it is finding the fact that got you from point A to point B. Most actors, if they’re being honest, are not going to say that that’s the most stimulating acting work they’ve ever done. But the dynamics of staring into the face of evil and it looking back at you, and seeing yourself in that or not, is interesting.
I think a lot of that is what helped me develop my character. I wouldn’t say it was Method, but it was definitely a little more in depth than I’ve done before in terms of acting. With the other kids, we all were such good friends by the time we started shooting. Because of that, it allowed us to trust each other more to push the dynamics of the relationship to places which you might not be able to had you not trusted that person.
I like to be flexible in the way I take pictures. I do not use a tripod, and I move around in the crowd, of which I am myself part…. I try to preserve the dynamics of the street, and my way of using the camera tries to approximate as much as possible the way we see: focusing on details, opening up to wider angles, and composing all these very short, fragmented impressions into a larger mental picture.
As is well known the principle of virtual velocities transforms all statics into a mathematical assignment, and by D’Alembert’s principle for dynamics, the latter is again reduced to statics. Although it is is very much in order that in gradual training of science and in the instruction of the individual the easier precedes the more difficult, the simple precedes the more complicated, the special precedes the general, yet the min, once it has arrived at the higher standpoint, demands the reverse process whereby all statics appears only as a very special case of mechanics.
The near side of a galaxy is tens of thousands of light-years closer to us than the far side; thus we see the front as it was tens of thousands of years before the back. But typical events in galactic dynamics occupy tens of millions of years, so the error in thinking of an image of a galaxy as frozen in one moment of time is small.
Enthusiasm is the dynamics of your personality. Without it, whatever abilities you may possess lie dormant; and it is safe to say that nearly every man has more latent power than he ever learns to use. You may have knowledge, sound judgment, good reasoning faculties; but no one-not even yourself-will know it until you discover how to put your heart into thought and action.
The best way to neutralise fear is by laughing. You can see the dynamics of this in action when people watch a horror movie. You’ll notice that immediately after a good fright, following the sceams of terror – which is the point of maximum experience of fear – people will always laugh immediately afterward, as this is the natural way to release the fear. By laughing at something you also take away the perception that it has any power over you.
You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.
In an ecological perspective, in other words, there are few accidents or anomalies, only outcomes based on system structure and dynamics. Climate change and glittering malls, Calcuttan poverty and sybaritic wealth, biotic impoverishment and economic growth, militarism and terrorism, global domination and utter vulnerability are not different things but manifestations of a single system.
I’ve had a dozen people tell me, maybe more, ‘What would have happened if Michael Brown had shot and killed Darren Wilson? Do you think he would be free right now? Do you think he would not have been charged by now?’ People just see this manifest double-standard in front of them that’s coming at the long line of a whole bunch of grievances that have built up over time because of the dynamics of Ferguson and frankly, the dynamics of race in America more broadly.
I think that’s actually what draws me to family stories: the various roles we each play with each member of our families, and how different they can be from who we are with our friends and partners and lovers. I’m endlessly fascinated by how we navigate these family dynamics; they are the dramas each of us live out day after day, often in ways we don’t even realize.
By integrating women into particularly military institutes, it cripples the readiness of our defense. Schools like The Citadel train young men to confidently lead other young men into a battlefield where one of them will die. And when you have women in that situation, it creates a whole new set of dynamics which are distracting to training these men to kill or be killed.
Women intrinsically understand human dynamics, and that makes them unstoppable. Unfortunately, the average man is less adroit at fostering such rivalries, which is why most men remain average; males are better at hating things that can’t hate them back (e.g., lawnmowers, cats, the Denver Broncos, et cetera). They don’t see the big picture.