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When I was a kid, if a guy got killed in a western movie I always wondered who got his horse.
I accept the Old Testament as more of an action movie: blood, car chases, evacuations, a lot of special effects, seas dividing, mass murder, adultery. The children of God are running amok, wayward. Maybe that’s why they’re so relatable.
A good film is when the price of the dinner, the theatre admission and the babysitter were worth it.
Frankly, my dear, I don’t give a damn.
I play Xbox. I have a little boy to look after. I have dogs. You know, I have things to do. I would love to be able to sit down and watch something like a movie. I watch my own movies because I have to.
Film is incredibly democratic and accessible, it’s probably the best option if you actually want to change the world, not just re-decorate it.
I love to sing! To be in a movie with musical number is the coolest thing ever!
Listen to them, the children of the night. What music they make!
If there’s something that can be formulated, regulated, give you security, then nobody would lose money. Every movie would be successful. And that’s certainly not the case.
3D is quite a lot more advanced in animated movies; for live-action movies we’re just taking baby steps, we’re just in the beginning.
Life is a B Movie: it’s stupid and it’s strange, it’s a directionless story, the dialogue is lame, but in the ‘he said she said’ sometimes there’s some poetry, if you turn your back long enough and let it happen naturally.
I didn’t even know my bra size until I made a movie.
I don’t take the movies seriously, and anyone who does is in for a headache.
Many times when you make a movie, it feels like your biggest mistake. But even if a film isn’t a hit, you shouldn’t view it as a mistake.
I like figuring out where I need to be mentally so that I’m not thinking about the camera and that it’s second nature. I want to get to a place where I can exist within the confines of what you can do with filmmaking and not have to think about it.
I just like movies that somehow expose the world in a way that’s different than you imagine it.
I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film.
I think movies are good for getting into dream states or exploring weird alternate states of thinking.
Since the big band started I’m just always swamped with movies and things. It certainly pays the bills and it’s very satisfying, because I get to write all these big charts and all this crazy music.
It’s always been my formula to get the next picture set up before anyone’s seen the last one.
It’s something that was very interesting to me to be a part of and all of them again because of the relationship. Some of the superhero movies are better than others.
I’m not saying it isn’t frustrating that my films haven’t gotten a bigger release, but I’m really happy with them and if you just keep cranking and eventually, if you have a certain sensibility, some of your movies will hit and some just won’t.
Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I’d rather direct a play than a film due to the time. A movie can tie you up for a year or more.
Shoot a few scenes out of focus. I want to win the foreign film award.
I’ve always found that when you’re trying to create illusions with sound, especially in a science fiction or fantasy movie, that pulling sounds from the world around us is a great way to cement that illusion because you can go out and record an elevator in George Lucas’s house or something, and it will have that motor sound.
A lot of people think, ‘I’ll give acting or poetry or filmmaking a try. And if it doesn’t work out I’ll go get a law degree, do something else that’s more practical.’ For me I went the reverse way. I lived the back-up plan.
I look at American movies, the big muscles, and try to apply that to Chinese film-making.
It is not as mirrors reflect us but, rather, as our dreams do, that movies most truly reveal the times. If the dreams we have been dreaming provide a sad picture of us, it should be remembered that – like that first book of Dante’s Comedy – they show forth only one region of the psyche. Through them we can read with a peculiar accuracy the fears and confusions that assail us – we can read, in caricature, the Hell in which we are bound. But we cannot read the best hopes of the time.
The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it’s also got the horror element.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
I don’t believe in superheroes but I love Batman movies. There’s a part of every person that is entertained by the idealistic, the fantastic.
If Michelle Pfeiffer gave Mel Gibson a vial of blood to wear around his neck in a movie you’d think it was terribly romantic, everyone would cry and they’d win awards. But in real life if someone does that they’d be considered weird.
I’m pretty sure I would never do a full frontal in a movie – for personal reasons, I wouldn’t really want to show that.
There is a whole generation of people who are going to see movies or watch TV who don’t want to work.
I don’t have incredible knowledge about films or of filmmaking history; I’m not that kind of person.