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The private experience that you perceive forms your world, period. But which world do you inhabit? For if you altered your private sensations of reality, then that world, seemingly the only one, would also change. You do go through transformations of beliefs all the time, and your perception of the world is different. You seem to be, no longer, the person you that you were. You are quite correct — you are not the person that you were, and your world has changed, and not just symbolically.
When you’re an actress you are in a very specific position, cerebrally, I would think you know. You are a thinking person but you are in a certain perception of the world between really being conceptual and completely stupid. So you are in between, with a lot of intuition and instinct. And that’s not completely being intellectual because I think intuition is more blurred. It comes from intuition. Instinct. More than really reasoning.
There is no nobler chore in the craft of writing than holding up the mirror of reality and turning it slightly, so we have a new and different perception of the commonplace, the everyday, the ‘normal,’ the obvious. People are reflected in the glass. The fantasy situation into which you thrust them is the mirror itself. And what we are shown should illuminate and alter our perception of the world around us. Failing that, you have failed totally.
A lot of things occurred to me with shamans in Peru.There were a number of different kinds of experiences that you learn from doing ritual and taking ayahuasca [a common tropical forest hallucinogen] is the key to understanding the native consciousness and perception of the world with the Peruvian shamans that you wouldn’t get unless you had been with them, but every shamanic tradition, including the Native American tradition of medicine and cleansing ritual, like the Sun Dance or the sweat lodge.
There’s the instability of my attitude as an artist, the instability of our perception of the world, and the idea that with this mix, you never know exactly what’s the point of view of the filmmaker. This breaks the stability of the belief that a filmmaker is somebody who has a logical relationship with his own material. These elements create this atmosphere that I find more interesting than a normal atmosphere, based only on the characters.