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Right there is the usefulness of migraine, there in that imposed yoga, the concentration on the pain. For when the pain recedes, ten or twelve hours later, everything goes with it, all the hidden resentments, all the vain anxieties. The migraine has acted as a circuit breaker, and the fuses have emerged intact. There is a pleasant convalescent euphoria.
When I was twelve years old I thought up an odd trinity: namely, God the Father, God the Son, and God the Devil. My inference wasthat God, in contemplating himself, created the second person of the godhead; but that, in order to be able to contemplate himself, he had to contemplate, and thus to create, his opposite.–With this I began to do philosophy.
I think we had to push forward to make sure it was different, do something that we had never done before and yet still have the consistency to stay in the same world. This was our chance to do all the things we didn’t get a chance to do before. We’ve been working on these movies [Kung Fu Panda] for twelve years and we have to keep things exciting for us in order for us to devote that many years of our lives to do this.
Did I tell you I finally found the perfect page-cutter? It’s a pearl-handled fruit knife. My mother left me a dozen of them, I keep one in the pencil cup on my desk. Maybe I go with the wrong kind of people but i’m just not likely to have twelve guests all sitting around simultaneously eating fruit.
I discovered [Joan of Arc] toward the age of ten or twelve, when I went to France. I don’t remember where I read about her, but I recall that she immediately took on a definite importance for me. I wanted to sacrifice my life for my country. It seems like foolishness and yet…what happens when we’re children is engraved forever on our lives.
Twelve o’clock! It is the natural centre, key-stone, and very heart of the day. At that hour, the sun has arrived at the top of his hill; and as he seems to hang poised there a while, before coming down on the other side, it is but reasonable to suppose that he is then stopping to dine; setting an eminent example to all mankind.
Nothing ever got my pulse racing (in a good way) like hockey. Well, nothing except Beyonce, but that wasn’t until I was twelve or so. Then, all of a sudden, it was like I opened my eyes one day and noticed that the world is full of beautiful girls, and I’ve had a hard time thinking about anything else ever since.
Twelve thousand years ago, everybody on earth was a hunter-gatherer; now almost all of us are farmers or else are fed by farmers. The spread of farming from those few sites of origin usually did not occur as a result of the hunter-gatherers’ elsewhere adopting farming; hunter-gatherers tend to be conservative…. Instead, farming spread mainly through farmers’ outbreeding hunters, developing more potent technology, and then killing the hunters or driving them off of all lands suitable for agriculture.
Hallucinations are bad enough. But after awhile you learn to cope with things like seeing your dead grandmother crawling up your leg with a knife in her teeth. Most acid fanciers can handle this sort of thing. But nobody can handle that other trip-the possibility that any freak with $1.98 can walk into the Circus-Circus and suddenly appear in the sky over downtown Las Vegas twelve times the size of God, howling anything that comes into his head. No, this is not a good town for psychedelic drugs.
An old Arabian fable tells of a prince imprisoned in a castle which had thirteen windows. Twelve of these windows overlooked lovely scenes, while the thirteenth looked down on the black ash heaps of the city. Ignoring the twelve windows, the prince always looked out through the thirteenth. It is so often true that whether a person carries with him an atmosphere of gloom and depression or one of confidence and courage depends on his individual outlook.
If… [Alban] Berg departs so radically from tradition, through his substitution of a symmetrical partitioning of the octave for the asymmetrical partionings of the major/minor system, he departs just as radically from the twelve-tone tradition that is represented in the music of Schoenberg and Webern, for whom the twelve-tone series was always an integral structure that could be transposed only as a unit, and for whom twelve-tone music always implied a constant and equivalent circulation of the totality of pitch classes.